Research/Fiction Writing/Story Beats Prompts

This page gathers prompts for beat-based manuscript diagnosis, structural auditing, and revision planning.

Use these prompts to apply story-beat methodology to a manuscript. They are designed for full novels, novellas, screenplays, chapters, and scenes.

How to use this file

Recommended order:

Run Manuscript intake.
Run Beat inventory extraction on the whole manuscript or chapter chunks.
Run Macro structure audit.
Run Character arc alignment audit.
Run Scene-level Five Commandments audit.
Run Causality and escalation audit.
Run Genre beat overlay.
Run Revision brief generator.

For long manuscripts, process chapter-by-chapter first, then synthesize. ---

1. Manuscript intake prompt

You are a developmental editor specializing in story structure and beat diagnosis.

Analyze the manuscript information below. Do not rewrite yet. Build an editorial intake profile.

Return:
1. Working logline
2. Genre and subgenre expectations
3. Protagonist, antagonist/opposition, major supporting characters
4. External want
5. Internal need
6. Possible lie/false belief
7. Core stakes
8. Central story question
9. Promises made to the reader
10. Likely structural model(s) best suited to this manuscript: three-act, Save the Cat, Story Grid, Story Circle, Hero’s Journey, seven-point, romance beats, mystery beats, etc.
11. Risks to investigate in beat audit

Manuscript or synopsis:
[PASTE TEXT]

---

2. Beat inventory extraction prompt

Create a beat inventory for the manuscript/chapter below.

For each scene or chapter, extract:
- Unit number / title
- Approximate word count if available
- POV character
- Location/time
- Opening situation
- Scene goal
- Opposition/conflict
- New information revealed
- Value at stake: e.g. safety/danger, truth/lie, intimacy/distance, hope/despair, power/vulnerability
- Beginning value
- Ending value
- Crisis choice, if present
- Climax action/decision
- Resolution/consequence
- Hook into next unit
- Structural function: setup, inciting incident, debate, threshold, fun-and-games, midpoint, pinch, low point, climax, resolution, etc.
- Revision flag: KEEP, CUT, COMBINE, MOVE, SHARPEN, ESCALATE, PLANT, PAY OFF, INTERNALIZE, EXTERNALIZE

Return as a markdown table. If a field is missing, write MISSING rather than inventing it.

Text:
[PASTE MANUSCRIPT / CHAPTER / SYNOPSIS]

---

3. Macro structure audit prompt

Audit the manuscript against macro story beats. Do not force a formula; use this as a diagnostic map.

Identify and evaluate:
1. Opening Image / opening state
2. Theme stated or thematic pressure
3. Setup of protagonist, world, want, lack, and stakes
4. Inciting Incident / Catalyst
5. Debate / refusal / hesitation
6. First Plot Point / Break into Act II / threshold choice
7. B Story or relationship/theme carrier
8. Promise-of-the-premise section / early tests
9. Midpoint: false victory, false defeat, revelation, or role shift
10. Rising complications / antagonist adaptation / bad guys close in
11. All Is Lost / ordeal / worst consequence so far
12. Dark Night / synthesis / internal realization
13. Break into Act III / final plan
14. Climax: irreversible choice/action under maximum pressure
15. Resolution and consequences
16. Final Image / transformed mirror of opening

For each beat, return:
- Present? YES/NO/PARTIAL
- Where it appears
- What changes
- Why it works or fails
- Revision recommendation

Also include:
- Missing or duplicated beats
- Beats that occur too early or too late
- Beats where protagonist agency is weak
- Payoffs that lack setup
- Setups that lack payoff

Manuscript/synopsis/beat inventory:
[PASTE TEXT]

---

4. Save the Cat diagnostic prompt

Use Save the Cat beats as a pacing and emotional-turn diagnostic. Do not make the manuscript formulaic.

Map these beats:
- Opening Image
- Theme Stated
- Setup
- Catalyst
- Debate
- Break into Two
- B Story
- Fun and Games
- Midpoint
- Bad Guys Close In
- All Is Lost
- Dark Night of the Soul
- Break into Three
- Finale
- Final Image

For each:
1. Identify the current manuscript equivalent.
2. Evaluate whether the beat creates real narrative change.
3. Check protagonist agency.
4. Check stakes and cost.
5. Recommend one concrete revision if weak.

Then answer:
- Does the Midpoint reverse or reframe the story?
- Does All Is Lost feel genuinely consequential?
- Does Break into Three synthesize external plot and internal lesson?
- Does Final Image transform Opening Image?

Text:
[PASTE TEXT]

---

5. Story Grid Five Commandments scene audit prompt

Audit each scene using Story Grid’s Five Commandments.

For each scene, identify:
1. Inciting Incident — what destabilizes the scene?
2. Progressive Complication / Turning Point — what fails, escalates, or is revealed?
3. Crisis — what binary choice must the character make? Is it best-bad-choice or irreconcilable-goods?
4. Climax — what action/decision answers the crisis?
5. Resolution — what consequence lands?
6. Value Shift — what value changes from beginning to end?
7. Scene verdict — WORKS / WEAK / MISSING CHANGE / EXPOSITION ONLY
8. Revision action — CUT / COMBINE / SHARPEN GOAL / ADD TURNING POINT / ADD CRISIS / ADD CONSEQUENCE / ESCALATE

Rules:
- If there is no real crisis choice, say so.
- If the resolution does not show consequence, say so.
- If the value does not change, flag the scene.
- Do not invent beats that are not on the page.

Scenes:
[PASTE TEXT]

---

6. Dan Harmon Story Circle prompt

Apply Dan Harmon’s Story Circle to the manuscript, then fractally to each act or chapter if possible.

Map:
1. YOU — comfort zone / starting identity
2. NEED — want, lack, hunger, problem
3. GO — threshold into unfamiliar situation
4. SEARCH — adaptation, trials, failed strategies
5. FIND — gets what was wanted or thinks they do
6. TAKE — pays the price
7. RETURN — comes back toward ordinary world or final confrontation
8. CHANGE — transformed state

For each step:
- Where does it occur?
- What changes externally?
- What changes internally?
- What cost is paid?
- Is the protagonist active or passive?
- Revision needed?

Then diagnose:
- FIND without TAKE
- RETURN without CHANGE
- NEED that is vague
- GO that is forced/passive
- SEARCH that repeats rather than escalates

Text:
[PASTE TEXT]

---

7. Character arc alignment prompt

Audit the protagonist’s character arc against the plot beats.

Identify:
- Ghost/wound
- Lie or false belief
- External want
- Internal need
- Truth that challenges the lie
- Opening behavior that shows the lie working
- Inciting challenge to the lie
- First major choice made under the lie
- Midpoint evidence that the lie is failing
- Low point caused by the lie or old strategy
- Dark-night realization or refusal to realize
- Climactic choice between want and need / lie and truth
- Final behavior proving change or failure to change

Return a beat-by-beat table:
- Plot beat
- External event
- Internal movement
- Evidence on page
- Missing/weak element
- Revision action

Also classify the arc:
- Positive Change Arc
- Negative Change Arc
- Flat Arc
- Disillusionment / corruption / fall variant
- No coherent arc yet

Text:
[PASTE TEXT]

---

8. Scene/sequel causality prompt

Analyze the manuscript for scene/sequel causality.

For each unit, classify it as:
- SCENE: goal → conflict → setback/disaster
- SEQUEL: reaction → dilemma → decision
- MIXED
- NEITHER / STATIC

For each unit, identify:
- Goal or emotional reaction
- Conflict or dilemma
- Setback or decision
- How this unit was caused by the previous unit
- How this unit forces the next unit

Flag:
- Action without emotional processing
- Rumination without decision
- Scenes that do not cause the next scene
- Coincidental transitions
- Repeated goal/conflict patterns

Return specific revision actions.

Text:
[PASTE TEXT]

---

9. Causality chain audit prompt

Build a cause-and-effect chain for the manuscript.

Format:
Because [beat 1], therefore [beat 2].
Because [beat 2], therefore [beat 3].
But then [complication], therefore [new choice].

Identify every place where the chain becomes:
- “and then” instead of “therefore”
- coincidence-dependent
- antagonist-convenient
- protagonist-passive
- missing reaction or decision

Return:
1. Strongest causal links
2. Weakest causal breaks
3. Scenes that can be cut without breaking causality
4. Revisions to make each weak link causal

Beat inventory or synopsis:
[PASTE TEXT]

---

10. Escalation and midpoint audit prompt

Audit escalation through the manuscript, with special attention to the midpoint.

For each quarter of the story, identify:
- Main protagonist strategy
- Main opposition force
- Stakes
- Cost of failure
- New information
- Irreversible consequences
- How pressure differs from previous quarter

Then evaluate the midpoint:
- Is it a false victory, false defeat, revelation, reversal, or role shift?
- Does it change the protagonist’s strategy?
- Does it raise stakes or narrow options?
- Does it reveal a deeper truth about antagonist, world, relationship, or self?

Flag repeated pressure patterns and recommend escalation changes.

Text:
[PASTE TEXT]

---

11. Genre beat overlay prompt: mystery/thriller

Audit this manuscript as a mystery/thriller.

Map:
- Inciting crime/problem
- Central investigative question
- Suspects / theories / threat vectors
- Clue ladder
- Red herrings
- Antagonist pressure
- Midpoint discovery that changes the theory
- False solution or trap
- Low point / investigator compromised
- Reveal that recontextualizes earlier evidence
- Final proof/confrontation
- Consequence/resolution

For each clue or reveal, mark:
- Fairly planted? YES/NO
- Advances theory, misleads, reveals character, or increases danger?
- Payoff location
- Revision needed

Text:
[PASTE TEXT]

---

12. Genre beat overlay prompt: romance

Audit this manuscript as a romance or romantic subplot.

Map:
- Initial worlds and wounds of both leads
- Meet/collision
- Reason they cannot be together
- Forced proximity or recurring contact
- Early attraction
- First vulnerability
- Midpoint intimacy, kiss, commitment illusion, or emotional recognition
- Retreat/fear/external pressure
- Dark moment / breakup / apparent impossibility
- Internal choice that makes love possible
- Grand gesture or proof of change
- Earned union or chosen separation

Evaluate:
- Are obstacles internal as well as external?
- Do both leads change?
- Does attraction progress through action and vulnerability, not just description?
- Is the dark moment caused by character wounds/choices?
- Is the ending earned by changed behavior?

Text:
[PASTE TEXT]

---

13. Genre beat overlay prompt: fantasy/science fiction

Audit this manuscript as fantasy/science fiction.

Map:
- Ordinary world and speculative disruption
- Rules of the speculative element
- Costs, limits, and weaknesses
- Threshold into deeper world/system
- Discovery sequence
- First use or misunderstanding of speculative element
- Midpoint expansion/revelation
- Cost of power/knowledge
- Antagonist/system pressure
- Climactic use of established rules in surprising way
- Resolution of world implications

Flag:
- Rule introduced only when needed
- Unplanted climactic solution
- Worldbuilding that does not create plot pressure
- Exposition not tied to character goal/conflict
- Powers without costs

Text:
[PASTE TEXT]

---

14. Genre beat overlay prompt: literary / character-driven fiction

Audit this manuscript as literary or character-driven fiction.

Do not require high external action. Instead, track changes in:
- Self-understanding
- Power
- Intimacy
- Status
- Belonging
- Shame/honor
- Truth/denial
- Freedom/constraint
- Hope/despair

For each scene, identify:
- What social/emotional/intellectual value changes?
- What is unsaid?
- What pressure acts on the protagonist’s self-concept?
- What choice or avoidance reveals character?
- What consequence accumulates?

Flag scenes where quietness becomes stasis rather than tension.

Text:
[PASTE TEXT]

---

15. Chapter beat improvement prompt

Improve the chapter’s beat structure without rewriting prose yet.

Return:
1. Chapter question
2. Opening state
3. Scene goal
4. Opposition
5. Turning point
6. Crisis choice
7. Climax action/decision
8. Consequence
9. Hook into next chapter
10. Missing beat(s)
11. Best place to cut or compress
12. Best place to escalate
13. Proposed revised beat outline, 5–10 bullets

Chapter:
[PASTE CHAPTER]

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16. Beat-level rewrite brief prompt

Create a rewrite brief from the beat audit below.

For each recommended change, provide:
- Target chapter/scene
- Problem
- Beat function affected
- Revision action: CUT, COMBINE, MOVE, SHARPEN, ESCALATE, REVERSE, PLANT, PAY OFF, INTERNALIZE, EXTERNALIZE
- Concrete instruction to writer
- Expected effect on reader
- Dependencies: what earlier/later scenes must change too

Prioritize changes:
P0 = structural break that damages story logic
P1 = major pacing/arc issue
P2 = scene-level improvement
P3 = polish

Beat audit:
[PASTE AUDIT]

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17. Full developmental edit prompt

You are performing a developmental edit focused on story beats.

Use this hierarchy:
1. Story promise and genre expectations
2. Macro structure and act turns
3. Protagonist agency and character arc
4. Causality and escalation
5. Scene-level value shifts and crisis choices
6. Setup/payoff integrity
7. Pacing and chapter hooks
8. Line-level issues only if they affect beat clarity

Return:
- Executive diagnosis, max 500 words
- Beat map table
- Top 10 structural problems ranked by severity
- Top 10 strongest beats to preserve
- Missing beats
- Misplaced beats
- Passive-protagonist beats
- Sagging-middle causes
- Unearned-payoff risks
- Revision roadmap in phases
- First 5 concrete edits to make

Manuscript/synopsis:
[PASTE TEXT]

---

18. Beat preservation prompt

Before revising, identify what must be preserved.

From this manuscript/scene, list:
- Strongest emotional beats
- Strongest reversals
- Best character choices
- Best setups/payoffs
- Best chapter endings/hooks
- Voice or tone moments that should not be flattened
- Genre promises that work

Then list what can change around them to strengthen structure.

Text:
[PASTE TEXT]

---

19. Revision verification prompt

Compare the revised version against the beat goals.

Inputs:
Original beat problem:
[PASTE PROBLEM]

Revision goal:
[PASTE GOAL]

Revised text:
[PASTE TEXT]

Evaluate:
1. Did the revision solve the stated beat problem?
2. Is protagonist agency stronger?
3. Is the value shift clearer?
4. Is causality stronger?
5. Are stakes/cost clearer?
6. Did the revision create new continuity or setup/payoff problems?
7. PASS / REVISE verdict
8. If REVISE, give exact next edit.

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20. Compact all-in-one prompt

Analyze this manuscript or synopsis for story-beat problems and produce a practical revision plan.

Use these frameworks only where useful:
- Three-act structure
- Save the Cat
- Story Grid Five Commandments
- Dan Harmon Story Circle
- Character arc: lie/want/need/truth
- Scene/sequel causality
- Genre-specific beats

Return:
1. Logline
2. Genre promise
3. Current macro beat map
4. Missing or weak macro beats
5. Protagonist arc diagnosis
6. Scene-level recurring problems
7. Causality breaks
8. Escalation problems
9. Setup/payoff issues
10. Ranked revision plan with CUT / COMBINE / MOVE / SHARPEN / ESCALATE / REVERSE / PLANT / PAY OFF / INTERNALIZE / EXTERNALIZE actions
11. A revised beat outline

Do not rewrite prose yet. Focus on structure.

Text:
[PASTE TEXT]

---

Beat audit checklist

Use this checklist manually or as a prompt appendix:

[ ] Does the opening show the old world in motion?
[ ] Is the protagonist’s want visible early?
[ ] Does the inciting incident destabilize the protagonist?
[ ] Does the protagonist actively cross into Act II?
[ ] Does each scene have a goal, conflict, turn, crisis, climax, and consequence?
[ ] Does each scene shift a value?
[ ] Does the midpoint reverse or reframe the story?
[ ] Does antagonist/opposition adapt?
[ ] Do stakes escalate in kind, not just volume?
[ ] Does the low point result from prior choices?
[ ] Does the climax force a meaningful choice?
[ ] Is the solution planted but not obvious?
[ ] Does the ending show consequence?
[ ] Does the final image transform the opening image?
[ ] Do action scenes cause reaction scenes?
[ ] Do reaction scenes produce decisions?
[ ] Can any scene be removed without breaking causality? If yes, cut/combine/rewrite.

Revision action glossary

CUT — remove beat because it does not change story, character, or reader knowledge.
COMBINE — merge beats that perform the same function.
MOVE — relocate beat to improve pacing, setup, or payoff.
SHARPEN — clarify goal, stakes, choice, consequence, or value shift.
ESCALATE — increase pressure, cost, opposition, or irreversibility.
REVERSE — make the beat change direction or understanding.
PLANT — add setup for later payoff.
PAY OFF — make earlier setup matter.
INTERNALIZE — connect external event to character belief/arc.
EXTERNALIZE — dramatize internal realization as action or choice.